Chapter 4
The story moves quickly. Dorothea wants to marry the
Reverend. She lets it be known, and they are engaged.
Celia criticizes Dorothea’s interest in drawing sketches of
small cottages that could be built for poor workers. Dorothea reacts with angry
thoughts—which include a new word for me: nullifidian.
…and Celia was no longer the
eternal cherub, but a thorn in her spirit, a pink-and-white nullifidian, worse
than any discouraging presence in the Pilgrim’s
Progress.
Nullifidian: a person without
faith; an unbeliever.
Mr. Brooke gives Dorothea a letter from Reverend Casaubon—an
offer of marriage.
Chapter 5
Dorothea’s reaction to Casaubon’s letter of proposal
includes this phrase: “she could but cast herself, with a childlike sense of
reclining, in the lap of a divine consciousness which sustained her own.” (39) Eliot
again is describing a mystical concept—that our human consciousness is part of
a larger divine Consciousness. And the image of “reclining in the lap” gives me
the picture of a mother’s lap, which portrays the divine as a Mother God. I
wonder if that is what Eliot intended.
Dorothea writes a letter of acceptance.
Casaubon comes to supper at the Brooke’s house and says to
Dorothea, “This is a happiness greater than I had ever imagined to be in
reserve for me. That I should ever meet with a mind and person so rich in the
mingled graces which could render marriage desirable…The great charm of your
sex is its capability of an ardent self-sacrificing affection.” I’ll bet Eliot
put mind before person in that sentence on purpose. And the glaring phrase “ardent
self-sacrificing” points to the comfort patriarchal systems derive from the
inferior status of women.
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